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For nearly forty years, Theatre Record has chronicled the British stage through its ongoing cumulation of the reviews of the leading national critics. Published fortnightly, it has established itself as the essential reference for anyone wanting in-depth information on UK productions and their makers, from the West End to the Fringe and beyond to regional theatres all over the country. It is read worldwide and treasured by researchers and students, actors and agents, producers and directors, theatregoers and enthusiasts, not least by the critics themselves.
Having offered a digital subscription for the first time in 2018, the Record will be going fully digital in 2019. This does not mean an end to printed versions – see below – but it does mean that all subscribers will in future be able to enjoy many more features of the new-style journal at no extra cost.